kimmy mar

— PROJECT NAME

Detroit '67

— ROLE

Sound Designer

— COMPANY

Arizona State University

— DATE

4.5.24

Dominique Morisseau’s play about two siblings and the 1967 Detroit riots. Produced as part of ASU Theatre’s 2023-24 season.

0:00 0:35

Detroit '67 riot sounds (excerpt)

directed by Crestcencia Ortiz-Barnett, scenic design by Matthew Geraghty, costume design by Gabriella Velez-Corretjer, lighting design by Reggie Wisniewski, © Arizona Board of Regents. All rights reserved. Courtesy of ASU Herberger Institute for the Design and the Arts, 2024. Photographer: Tim Trumble

— PROJECT NAME

Concord Floral

— ROLE

Sound Engineer & Lighting Designer

— COMPANY

Prism Theatre Company

— DATE

4.14.23

Jordan Tannahill’s play about a group of teens in an abandoned greenhouse who must confront a terrible secret.

directed by Sheilah Utley, scenic design by Aglae Mendez, costume design by Ollie Slade, photos by Saturn Ulysses

directed by Sheilah Utley, scenic design by Aglae Mendez, costume design by Ollie Slade, photos by Saturn Ulysses

directed by Sheilah Utley, scenic design by Aglae Mendez, costume design by Ollie Slade, photos by Saturn Ulysses

— PROJECT NAME

Kill Move Paradise

— ROLE

Sound Designer

— COMPANY

Arizona State University

— DATE

3.31.23

James Ijames' play about four Black men caught in the waiting room for the afterlife. Produced as part of ASU Theatre’s 2022-23 season.

Awarded 2022-2023 ariZoni Theatre Award of Excellence for Sound Design & Best Overall Production (Play)

0:00 3:00

Kill Move Paradise finale: “A wave of sound and light passes over the men.”

directed by Rachel Finley, scenic design by Sydney Thomas, costume design by Dejuan Russell, lighting design by Gio Curtiss, media design by Christian Harris, © Arizona Board of Regents. All rights reserved. Courtesy of ASU Herberger Institute for the Design and the Arts, 2023. Photographer: Tim Trumble

— PROJECT NAME

Frozen Jr.

— ROLE

Sound & Media Designer

— COMPANY

Arizona State University

— DATE

12.2.2022

Junior musical adaptation of the 2013 Disney movie Frozen. Produced by ASU Design and Arts Corps in association with First Place AZ, a supportive independent living community for neurodiverse adults.

directed by Jacob Buttry, scenic design by Gabe Mata and Lydia Seefeldt, costume design by Maja Jovanovic, lighting design by Leah Flores, photos by Cesar

directed by Jacob Buttry, scenic design by Gabe Mata and Lydia Seefeldt, costume design by Maja Jovanovic, lighting design by Leah Flores, photos by Cesar

directed by Jacob Buttry, scenic design by Gabe Mata and Lydia Seefeldt, costume design by Maja Jovanovic, lighting design by Leah Flores, photos by Cesar

— PROJECT NAME

Pipeline

— ROLE

Sound Designer

— COMPANY

Arizona State University

— DATE

2.17.23

Dominique Morisseau’s play about a mother and teacher desperately trying to keep her son from falling into the school-to-prison pipeline. Produced by the ASU Black Theatre Organization for Black History Month.

0:00 1:06

PA Announcement from Pipeline

directed by Crestcencia Ortiz-Barnett, scenic design by McKenna Garvey, costume design by Shayna Padjen and Katelyn Traluch, lighting design by Wade Yorke, photos by Graceful Lynn Photography

directed by Crestcencia Ortiz-Barnett, scenic design by McKenna Garvey, costume design by Shayna Padjen and Katelyn Traluch, lighting design by Wade Yorke, photos by Graceful Lynn Photography

directed by Crestcencia Ortiz-Barnett, scenic design by McKenna Garvey, costume design by Shayna Padjen and Katelyn Traluch, lighting design by Wade Yorke, photos by Graceful Lynn Photography

— PROJECT NAME

Little Women

— ROLE

Sound Engineer & Mixer

— COMPANY

Arizona State University

— DATE

1.13.23

Allan Knee, Mindi Dickstein, and Jason Howland’s musical based on the classic 1868–69 novel by Louisa May Alcott about four sisters growing up in Concord, Massachusetts during the Civil War. Produced as a student lab with the ASU Music Theatre & Opera program.

directed by Jena Allen and Maggie Barry, scenic design by Kate Irwin, costume design by Evening Calabrese, lighting design by Cas Austin, photos by Emilio Torres

directed by Jena Allen and Maggie Barry, scenic design by Kate Irwin, costume design by Evening Calabrese, lighting design by Cas Austin, photos by Emilio Torres

directed by Jena Allen and Maggie Barry, scenic design by Kate Irwin, costume design by Evening Calabrese, lighting design by Cas Austin, photos by Emilio Torres

— PROJECT NAME

God of Carnage

— ROLE

Sound & Lighting Designer

— COMPANY

Prism Theatre Company

— DATE

12.2.2022

Yasmina Reza’s play about two couples attempting to resolve the conflict between their two sons.

Directed by Noah Hudson

— PROJECT NAME

Head Over Heels

— ROLE

Sound Engineer

— COMPANY

Arizona State University

— DATE

11.17.2022

Jeff Whitty and James Magruder’s jukebox musical combining music from The Go-Go’s with The Countess of Pembroke’s Arcadia by Sir Philip Sidney. Produced as part of ASU Music Theatre & Opera’s 2022-23 season.

directed by Toby Yatso, scenic design by Douglas Clarke, costume design by Maci Hosler, lighting design by Wade Yorke, photos by Reg Martin Photography

directed by Toby Yatso, scenic design by Douglas Clarke, costume design by Maci Hosler, lighting design by Wade Yorke, photos by Reg Martin Photography

directed by Toby Yatso, scenic design by Douglas Clarke, costume design by Maci Hosler, lighting design by Wade Yorke, photos by Reg Martin Photography

— PROJECT NAME

Bright Star

— ROLE

Co-Sound Designer

— COMPANY

Arizona State University

— DATE

04.24.2022

Steve Martin and Edie Brickell’s bluegrass musical about a literary editor and an aspiring journalist with an unexpected connection. Collaborative sound design and engineering as part of the class Designing & Mixing a Musical with Dan Jaquette. Produced as part of ASU Theatre’s 2021-22 season.

directed by Robert Kolby Harper, scenic design by Dori Brown, costume design by Maci Hosler, lighting design by Jordan McAuliffe, photos by Reg Martin Photography

directed by Robert Kolby Harper, scenic design by Dori Brown, costume design by Maci Hosler, lighting design by Jordan McAuliffe, photos by Reg Martin Photography

directed by Robert Kolby Harper, scenic design by Dori Brown, costume design by Maci Hosler, lighting design by Jordan McAuliffe, photos by Reg Martin Photography

— PROJECT NAME

#ENOUGH

— ROLE

Sound Designer

— COMPANY

Binary Theatre Company

— DATE

04.24.2022

Eight plays to end gun violence, written by teens. Produced as part of the 2022 nationwide reading.

0:00 1:11

"In darkness, we hear noise. Lots of it. The insides of a grieving brain are dumped out onto a stage in the form of a wall of sound, replaying memories and soundbites simultaneously, endlessly—until it ends."

-It's Okay by Anya Jimenez from #ENOUGH

— PROJECT NAME

the living' life of the daughter mira

— ROLE

Sound Systems Engineer

— COMPANY

Arizona State University

— DATE

03.25.2022

The first full production of the play by Matthew Paul Olmos, about a premature baby, her teen mother, and her labor and delivery nurse. Produced as part of ASU Theatre’s 2021-22 season.

directed by Meghan Finn, scenic design by Cody Kellen, costume design by Savannah Schoenfeld, lighting design by Gio Curtiss, © Arizona Board of Regents. All rights reserved. Courtesy of ASU Herberger Institute for the Design and the Arts, 2022. Photographer: Tim Trumble

— PROJECT NAME

Neat

— ROLE

Sound Designer

— COMPANY

Arizona State University

— DATE

02.25.2022

Charlayne Woodard’s Neat is an autobiographical, one-woman drama about the author’s adolescence with her aunt. Initially produced in February in celebration of Black History Month, it received a second run of shows at the end of March.

Directed by Crestcencia Ortiz-Barnett and starring Ashley Anne Njoki Harris

— PROJECT NAME

Everybody

— ROLE

Sound Designer

— COMPANY

Arizona State University

— DATE

10.24.2021

Branden Jacobs-Jenkins' Everybody is an adaptation of the 15th century morality play Everyman. Each night, the five main cast members draw their roles in a lottery on stage. The main role of Somebody had three prerecorded monologues, thus necessitating the ability to change which sound cues would play when the actors' roles were determined. Produced as part of ASU Theatre’s 2021-22 season.

Awarded 2021-2022 ariZoni Theatre Award of Excellence for Sound Design & Best Overall Production (Play)

0:00 1:47

The Danse Macabre from Everybody

directed by Kristina Friedgen, scenic design by Chloe Cobb, costume design by Jenna Jacobsen, lighting design by Dawson Buckholz, © Arizona Board of Regents. All rights reserved. Courtesy of ASU Herberger Institute for the Design and the Arts, 2022. Photographer: Tim Trumble

— PROJECT NAME

Luchadora!

— ROLE

Sound and Media Systems Engineer

— COMPANY

Arizona State University

— DATE

04.18.2021

Alvaro Saar Rios' play about a young girl who secretly trains to take the place of her ailing father in a World Championship lucha libre match.

A live virtual production that utilized 12 separate rooms as isolated actor spaces, each equipped with lights, microphones, and cameras that were remotely operated and composited via a show control network. Produced as part of ASU Theatre’s 2020-21 season.

directed by Ricky Araiza, scenic design by Jacob Dunn, costume design by Luzet Romo, lighting design by Ashley Aushincloss, media design by Glenna Negron

directed by Ricky Araiza, scenic design by Jacob Dunn, costume design by Luzet Romo, lighting design by Ashley Aushincloss, media design by Glenna Negron

directed by Ricky Araiza, scenic design by Jacob Dunn, costume design by Luzet Romo, lighting design by Ashley Aushincloss, media design by Glenna Negron

— PROJECT NAME

Whispers From Above

— ROLE

Sound Designer

— COMPANY

Binary Theatre Company

— DATE

03.27.2021

A series of poems and interviews that address themes of grief, death, and loss. Poems released daily from 2/26/21-3/27/21, with interviews once per week and a final devised piece on 3/27/21.

Directed by Morgan Wendlandt.

Click to view SoundCloud.

— PROJECT NAME

The Yellow Wallpaper

— ROLE

Sound Designer and Editor

— CLASS

Narratives and Podcasting with Dr. Peter Schmidt

— DATE

12.08.2020

A podcast episode produced about The Yellow Wallpaper by Charlotte Perkins Gilman.

0:00 9:20

The Yellow Wallpaper

— PROJECT NAME

Puss in Boots

— ROLE

Sound Designer and Editor

— CLASS

Audio Editing with Dan Jaquette

— DATE

10.02.2020

Audiobook recording of “Puss in Boots” as a final project for Audio Editing.

0:00 8:15

Puss in Boots

— PROJECT NAME

The Roommate Agreement

— ROLE

Sound Designer and Editor

— CLASS

Ethics Survey Film and TV with Dr. Jason Scott

— DATE

11.27.2019

Final project short film addressing issues of violence in film.

— PROJECT NAME

Unsettled Supper

— ROLE

Sound Board Operator

— COMPANY

Binary Theatre Company

— DATE

10.27.2019

Immersive and interactive play that invited the audience to sit at the table with performers and be served a (disturbing) meal.

directed by Daniel Moore, scenic design by Jacob Dunn, costume design by Lauren Voorhees, lighting design by Maia Gomez, photography by James Spray

directed by Daniel Moore, scenic design by Jacob Dunn, costume design by Lauren Voorhees, lighting design by Maia Gomez, photography by James Spray

directed by Daniel Moore, scenic design by Jacob Dunn, costume design by Lauren Voorhees, lighting design by Maia Gomez, photography by James Spray

— PROJECT NAME

Les Miserables

— ROLE

A2/Assistant Stage Manager

— COMPANY

Chandler High Theatre

— DATE

03.01.2019

Production of Les Miserables on the main stage of Chandler Center for the Arts.

directed by Stephanie Likes, scenic design by Beth Sobotka, costume design by Diana Likes, lighting design by Bill Lorentz

directed by Stephanie Likes, scenic design by Beth Sobotka, costume design by Diana Likes, lighting design by Bill Lorentz

directed by Stephanie Likes, scenic design by Beth Sobotka, costume design by Diana Likes, lighting design by Bill Lorentz

— PROJECT NAME

Alice

— ROLE

Sound Designer

— COMPANY

Chandler High Theatre

— DATE

09.21.2018

Production of Alice, an adaptation of Alice in Wonderland, on the Bogle Theatre stage of Chandler Center for the Arts.

directed by Stephanie Likes, scenic design by Beth Sobotka, costume design by Diana Likes, lighting design by Bill Lorentz, photos by Casey Likes

directed by Stephanie Likes, scenic design by Beth Sobotka, costume design by Diana Likes, lighting design by Bill Lorentz, photos by Casey Likes

directed by Stephanie Likes, scenic design by Beth Sobotka, costume design by Diana Likes, lighting design by Bill Lorentz, photos by Casey Likes

directed by Stephanie Likes, scenic design by Beth Sobotka, costume design by Diana Likes, lighting design by Bill Lorentz, photos by Casey Likes

— PROJECT NAME

Rock of Ages

— ROLE

— COMPANY

Chandler High Theatre

— DATE

03.02.2018

Production of Rock of Ages on the main stage of Chandler Center for the Arts.

directed by Stephanie Likes, scenic design by Beth Sobotka, costume design by Diana Likes, lighting design by Bill Lorentz

directed by Stephanie Likes, scenic design by Beth Sobotka, costume design by Diana Likes, lighting design by Bill Lorentz

directed by Stephanie Likes, scenic design by Beth Sobotka, costume design by Diana Likes, lighting design by Bill Lorentz

— PROJECT NAME

Bottom of the Lake

— ROLE

Co-Sound Designer

— COMPANY

Chandler High Theatre

— DATE

09.21.2017

Production of Bottom of the Lake on the Bogle Theatre stage of the Chandler Center for the Arts.

directed by Stephanie Likes, scenic design by Beth Sobotka, costume design by Diana Likes, lighting design by Doug Sobotka

directed by Stephanie Likes, scenic design by Beth Sobotka, costume design by Diana Likes, lighting design by Doug Sobotka

directed by Stephanie Likes, scenic design by Beth Sobotka, costume design by Diana Likes, lighting design by Doug Sobotka

— PROJECT NAME

Into the Woods

— ROLE

— COMPANY

Chandler High Theatre

— DATE

03.10.2017

Production of Into the Woods on the main stage of Chandler Center for the Arts.

directed by Stephanie Likes, scenic design by Beth Sobotka, costume design by Diana Likes, lighting design by Bill Lorentz

directed by Stephanie Likes, scenic design by Beth Sobotka, costume design by Diana Likes, lighting design by Bill Lorentz